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The Evolving Feminine: An Enlightened View from Kabbala

(1)

Category : Articles

This article can also be viewed in adobe pdf format.

This article was published in B’Or HaTorah: Science, the Arts and Problems of Modern life in the Light of Torah: #18, 2008 (Shamir: Jerusalem, Israel).
p. 135-146.

The Evolving Feminine: An Enlightened View from Kabbala

by Sarah Yehudit (Susan) Schneider

Women and Judaism is a subject oft-discussed in the yeshivot and learning institutions of the religious world. One hears many statements, spoken with apparent certainty, that Judaism says “this” about women, or Judaism says “that” about women.  And yet, upon inspection, many of the most common assertions are flawed and misleading.  They rarely present the whole truth, and often (innocently) include beliefs that contradict the more scholarly (and authoritative) tradition. Out of the vast body of diverse sources, only those statements that support the current pattern of gender relations are regularly pulled out for discussion.  They are woven together, with blinding skill, into a seamless tapestry of truths, traditions, and normative behaviors that explain and maintain the status quo.

And yet, dispersed throughout these teachings one finds a sprinkling of sources that seem to be saying something different, that appear to contradict the prevailing assumptions. They are raised…one here, one there, in isolated contexts…but there is no mention of any systematic attempt to explore them more deeply.  A question arises: “What kind of picture might emerge if all of these non-conformist statements about women would be gathered together and examined as an alternative perspective unto themselves?”

The Underside Of Creative Expression

(1)

Category : Articles

This article can also be viewed in adobe pdf format.

This article was published in B’Or HaTorah: Science, the Arts and Problems of Modern life in the Light of Torah: #7, 1991 [ISBN 965-293-013-X] (Shamir: Jerusalem, Israel). p. 97-105.

The Underside Of Creative Expression

by Sarah Yehudit (Susan) Schneider

Before the creative act which brought our present universe into being, G‑d existed in a state of undifferentiated, infinitely potent Light which, figuratively speaking, was equally present at every point of time and space (though time and space, themselves creations, did not yet actually exist.) This Light was so powerful that it negated even the possibility of transitory existence. Form and physicality could not maintain their boundaries in the face of it. They would be annihilated by its strength of illumination in the same way that the lights of stars are washed out by the more potent radiance of the sun, or a delicate crystal glass shatters and disintegrates from the impact of water rushing from a fire hose. In creating the physical universe, G‑d first, from our perspective, concealed His Infinite Light from a particular area and created a dark womblike vacuum within a surrounding expanse of Light.[1] Then, into this apparently “empty space” He emanated a “thin” ray of light, the unfolding and dissipation of which is the history and progression of creation as we know it.[2]

The ordered arrangement of letters within the most holy name of G‑d, the Tetragrammaton, actually maps the sequence by which the Creator fashions a physical universe out of this beam of primordial light.[3] The mechanism at first seems counter-intuitive; for it is all accomplished by increasing degrees of self constraint. Strangely, as the Infinite One imposes upon Himself a progressively more severe discipline of concealment and self control, He presses the creative process forward in a reverie of aesthetic expression.[4]